I’m doing my best to describe José’s mix, but really, you need to let it wash over you and take you where it may. It exists in some liminal space that is akin to being awake and being asleep. The only boundary is the start and end of his mix. I’m never quite sure where one song ends, and the next begins. Soundwave has been around just long enough that it is beginning to form a rhizome-like network. I met José through Mauricio Sotelo, AKA Haiteku, who I met through Axel Arturo Barceló, who guest deejayed on Soundwave here and here. Valentina Berthelon feat Javi de la Rosa “Sangre” Join us next week when our guest deejay will be Textere Oris. On her first release for Bottom Forty, she composed three beautiful, purely hardware based tracks for her Rompiente EP with rhythmic vibes that take you from resonant underwater depths up into reflective cosmic atmospheres. She began her career in 1998 performing live sets of dub, techno, IDM and experimental sounds, not only as Alisú but also in the project Manziping with Rodrigo Rivera and Antonio Díaz, performing at many South American festivals. Jessica is a Chilean producer and graphic designer and Alisú is her electronic project. Today’s guest deejay is Jessica Campos de la Paz, AKA Alisú.Īlisú is yet another musician that Soundwave guest deejay Axel Arturo Barceló introduced me to (listen to Axel’s mix here). SiJ & Textere Oris “The City That Fell Asleep in the Fog” Join us next week when our guest deejay will be Dead Melodies.Ītrium Carceri, Cities Last Broadcast, God Body Disconnect “Quiet Days On Earth” Soundwave is my way of coping with the pandemic, and each time I think the show has served its purpose, there is yet another reason to continue sharing mixes with you. But the Coronavirus is not done with us, and now we have to Omicron variant to contend with. Like most people, I was able to put the pandemic out of my mind for a while and enjoy myself. My father and uncle are in their seventies, and I’m all too aware that my time with them shortens each year. I certainly don’t want to catch the virus, and I wouldn’t want to pass the virus on to my family. Mingling with people at the airport and flying with more people in a metal tube with people for five hours was unsettling. I admit to being reluctant to travel to Boston. I also got to spend time with some of my oldest and dearest friends. It wasn’t without family drama, but I suspect that’s part of the Thanksgiving tradition. This is the first time my father, uncle, brother, and sister have been under the same roof in decades. Here in the States, we celebrated Thanksgiving. Ilya’s mix for today’s show is equally mysterious and magical. I often listen to music while working or doing chores, but I often found myself pausing what I was doing as I got lost in Reflections. Like most albums on Cryo Chamber, I was immersed in the world they unfolded through their music. I was introduced to Ilya after listening to Reflections at the Sea, an album he released with Vladislav Sikach, AKA SiJ. But that’s because the label’s releases are so good that why would I not invite them on Soundwave? I’m sometimes reluctant to feature musicians from Cryo Chamber because I showcase artists from their roster a lot. Ilya is yet another guest deejay that comes to us by way of the Cryo Chamber music label. Today’s guest deejay is Ilya Fursov, AKA Textere Oris.
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